Lucy Saephan

Lucy Saephan is an Iu Mien American filmmaker from Oakland, California. Her growing body of work prioritizes the preservation of diverse stories of communities she grew up in and the Iu Mien diaspora. 

I was lucky enough to grow up on 23rd Ave and East 22nd St where a half dozen of Iu Mien families lived in the 90s. A core memory that seem to extend the length of whole summer breaks. Iu Mien kids feeling safe, playing, foraging the in the exact same fashion as our parents back in the Thailand refugees or remote mountain villages in Laos, but only transported to the urban inner-city neighborhood of East Oakland.


Lao and Hmong grocery stores feel like home because they have all the familiar foods and home decor I grew up with. So it feel nostalgic to see and be around these items.



Long-term, generational displacement from physical homeland has helped me feel grounded in the idea and understanding of home as a place that lives within the people. While there is always a yearning for a homeland that doesn't exist and it feels like a loss, a disconnect to land, I feel connection through my cultural community. Home is more of a communal space that is held through families and community, the sharing of foods, the telling of stories, and the preservation of rituals and ceremonies.



I feel most connected to my ethnic and cultural identity. The parts I feel most challenging to feel connected to are traditions rooted in patriarchy, racism, homophobia, transphobia, and gender-based violence. It makes it difficult to show up as my whole self in cultural community space and family spaces.



I hope to contribute to the healing, growth, and transformation of our people's collective understanding of home, place, and belonging by sharing my personal experiences through my creative works. By being as authentic, vulnerable, and open as I can through my art, I hope it inspires other folks to feel that they can do the same. They can explore and create art to help them express their experiences.



I loved art as a kid, but as I got older there was less opportunities for that. As a young adult exploring more art spaces and learning more about the history and cultures of other people through their art got me feeling the absence of that representation, exploration, and expression in my own life and in my community. So I started adding small amount of art back into my life. I feel like the more I create, the more I learn about myself.



One dream for my community is to feel love, acceptance, and support from each other, so we can heal and create together.



The project has shown me that I get to define what community, belonging, home, and safety mean to me. That these things change over time and it's okay to have different variations existing at the same time.


My Name is Lai 

is a personal short documentary film that honors both my journey as a second generation Mien American filmmaker from Oakland, CA and my grandmother's journey as an Iu Mien refugee from Laos. It's a coming together of two generations of storytellers to reflect the past that led my family and myself to our present lives as Americans. It is also a way for me to diversify the landscape of personal documentaries by adding my grandmother's face, voice, and experiences to America's consciousness, while carving out my path as a new voice in independent filmmaking.